Thursday 21 February 2013

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The Australian Mining division occupies an important place in the nation’s economy. Although it is one of the smaller divisions, it is the most important exporter.The Mining division is expected to generate revenue of about $205 billion in 2011-12, up from $138.8 billion in 2006-07, yielding annualised growth of 8.1%. Revenue is expected to grow by 7.2% in 2011-12, having already expanded by 20.7% in the previous year as the division rebounded from the global financial crisis. The Mining division is expected to generate about 8.0% of Australia’s GDP in 2011-12. Its 2,500 firms employ 243,152 people, paying about $32.9 billion in wages in 2011-12. The division’s net profit is expected to be $59.03 billion in the current year.The Mining division is heavily export oriented, with about $153.1 billion of output (or 74.7% by value) of industry output exported with only minimal processing.

According to our buy essay paper research, most of the remaining output is processed locally by the metal products manufacturing industries, and is used to generate electricity and provide gas supply. Imports supply about 35% of the domestic demand for mineral products and consist mainly of crude oil.Trends in the Mining division occur at a global level, and high and rising pricesfor a range of commodities over 2003 to 2007 encouraged resource development worldwide. If you want to buy essay papers, like this one from us, you should contact us. The resulting increases in global capacity became available just as the global financial crisis slashed global growth and pushed many developed countries into recession.

In this climate, commodity prices fell sharply in the second half of 2008 and early 2009, before recovering strongly as demand rebounded. In addition, oil prices jumped sharply in 2010-11 in response to political turmoil in a number of producing countries, and are expected to continue rising in 2011-12.Rising production volumes worldwide for a range of mineral commodities are expected to cause price growth to slow over the next few years, although the overall trend will remain upward. Higher prices, combined with strongly rising output from Australia, isexpected to support annualised growth in divisional revenue of about 9.1% over the five years through to 2016-17. By that time, according to our buy essay papers, industry revenue is expected to be $317.5 billion. Industry profit is expected to grow a little more strongly than revenue, as firms reap productivity gains from growing economies of scale. The profit gains are expected despite the imposition of a Mineral Resource Rent Tax on coal and iron ore, the extension of the existing Petroleum Resource Rent to onshore oil production and output from the North West Shelf project (replacing royalties in both cases), and the introduction of carbon pricing.

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Tuesday 22 January 2013

LEGAL REGULATION OF THE MUSIC INDUSTRY – Buy Essay


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You must answer THREE questions in total, with AT LEAST ONE question from Part A
and ONE question from Part B.

Part A

1. “The protection of films under UK copyright law passed through three different stages.
Whilst during the first stage films were protected as photographic and dramatic works, the second stage abolished the dual system of protection and introduced a new specific subject matter of ‘cinematograph film’. 
The third stage, however, seems to be a hybrid system that has adopted a specific subject matter approach with the possibility of dual protection.”

Critically discuss.

2.   “By being over protective of creative authors, the French Authors’ Right Act [1992] may have hindered the growth of the French film industry.”

Critically discuss.

3.  “Although the ultimate aim of introducing Article 14 bis to the Berne Convention for the Protection of
Literary and Artistic Works [1971] was to produce a uniform internationalregime to regulate the exploitation of cinematographic works, the adopted provision hardlyachieved that objective and therefore it is often described as the most obscure and leastuseful in the whole Convention.”

Critically discuss.

4.  The public performance right is a major source of revenue for the music and film industries.

However, neither the 1833 Act, which introduced the public performance right, nor any subsequent copyright Act sought to define the scope of the term ‘public’. As a result, it was left to courts to draw a line between ‘public’ and ‘private’.

Critically discuss. You can buy essay papers from us which answer these questions in full.

Part B

5.  “The protection of the moral rights of authors under the Copyright, Designs and Patents Act
1988 is inadequate.”

Critically discuss.

6.  “Music piracy is not a new phenomenon, as the late 19and early 20 centuries show.”

Critically discuss.

7.  “When it comes to authorship of musical creations and ownership of copyright therein, the law tends to value certain types of contributions more than others, in effect prioritizingtraditional notions of ‘music’ and ‘creativity’.”

Critically discuss.

8.  “By the nature of the doctrine of restraint of trade (as explained in Esso) it is dangerous to attempt to extrapolate by reference to the decision in a particular case, or to apply a decision on one set of facts to cases with different facts. Were the doctrine of restraint of trade capable of being applied in such a straightforward manner both the hearing of this case and this judgment would have been a good deal shorter.”  (Panayiotou v Sony [1994] E.M.L.R. 229, 381 per Parker. J.)

Discuss with reference to the music industry cases. You can buy essay papers for us with any given deadline. If you want to buy essay papers from us, please email us or visit our site.

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